No one would accuse Clyde of having a soft heart: Sure she hires former convicts for the greasy kitchen of her truck-stop sandwich joint, but she knows what they owe her and holds that power tight. Her line cooks might be stuck, but their hopes haven’t flickered out yet, fed by tentative connections and a fierce competition to create the perfect sandwich. Pulitzer-Prize winner Lynn Nottage’s sweet and savory comedy trades in wonder, Wonder Bread, and the healing powers of food.

“English Only.” It’s 2008 in Karaj, Iran and four adult students are studying for the Test of English as a Foreign Language, the key to their green card, medical school, family reunification. Playing out in awkward lessons of word games and mistranslation, English is both a comedy of miscommunication and a look at the ways speaking a new language can expand your world and change your voice. A hit in its 2021 New York premiere, Studio presents playwright Sanaz Toossi in her Washington, DC debut.

Emma is an actress. She also has an addiction, and it’s trying to kill her. In rehab, but not ready for recovery, Emma just wants to escape—through drugs, through performing, through anything that lets her make her own reality. David Muse directs his first production in the new Victor Shargai Theatre, a theatrical tour-de-force that evokes the vivid and disorienting world of intoxication and lies as Emma decides whether to fight for her recovery and the people, places, and things she’ll face there.

On the edge of the Wyoming wilderness, the last guests linger late into the night at a celebration for the new President of their conservative Catholic college. Reunited after seven years, the friends toss back whiskey and name-check Thomas Aquinas, Hannah Arendt, Steve Bannon, even Bojack Horseman, tracking their distance from each other and the people they thought they’d be by now. Will Arbery’s portrait of conservatives trying to make sense of where they—and their country—stand is an incisive yet personal look at the intelligence and despair of the Catholic right. 

Book and lyrics by Gerome Ragni and James Rado  
Music by Galt MacDermot  
Directed and choreographed by Josh Rhodes  
Assistant Directed by Emily Abrams

Hair is the rock musical that started it all. This joyous rebellion proudly reclaims love as the heart of what it means to be American. Packed with music that is beautiful, irreverent, and deeply evocative, the quirky, all-inclusive vibe doesn’t shy away from poignant social commentary. This iconic musical and Grammy Award-winning score get an exuberant and resonant retelling in the hands of Broadway and Asolo Rep favorite Josh Rhodes. Unforgettable numbers like “The Flesh Failures (Let the Sunshine In),” “Aquarius,” “Good Morning Starshine,” and “Hair” will bring audiences to their feet!